Animation and manipulation figures in digital literature and the poetics of (de-)coherence.
Like most authors of digital works of the narrative genre, Gregory Chatonsky is opposed to the idea that plots should be written according to the novelistic traditions. His hyperfiction entitled The Subnetwork is no exception. For the clash of heterogeneous media in this work to produce a ‘community...
| Publicado en: | Literary & Linguistic Computing Vol. 27; no. 3; pp. 321 - 331 |
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| Formato: | Artículo |
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Oxford University Press / USA
Sep2012
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| Acceso en línea: | Ver este registro en EBSCOhost |