Ear as Instrument.

The desire for instrumental qualities in computer music often leads the artist to a process of "synthetic limitation," wherein constraint is designed into a performance system, permitting creation only within prescribed limits. These practices can emerge as a consequence of the sheer dearth of possi...

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Bibliographic Details

Published in:	Leonardo Music Journal Vol. 22; no. 1; pp. 61 - 63
Main Author:	Haworth, Christopher
Format:	Article
Published:	MIT Press Dec2012
Subjects:	Computer music Computer composition Electronic music Acoustical engineering Musical composition Sound
Online Access:	View this record in EBSCOhost