Ear as Instrument.
The desire for instrumental qualities in computer music often leads the artist to a process of "synthetic limitation," wherein constraint is designed into a performance system, permitting creation only within prescribed limits. These practices can emerge as a consequence of the sheer dearth of possi...
| Publicado en: | Leonardo Music Journal Vol. 22; no. 1; pp. 61 - 63 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
MIT Press
Dec2012
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |