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Critical cosmopolitanism in the emergence of cultural modernity: reflections on discursive imagination in Hong Kong and Shanghai.

One might ask, what are the colors of cosmopolitan hybridity, and to what extent does or can the totality of representation that frames cultural discourse take on a life of its own? This paper examines the pictorial history of City Magazine (haowai) and the underlying mentalite that made it a succes...

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Published in:Postcolonial Studies Vol. 16; no. 1; pp. 46 - 66
Main Author: Chun, Allen
Format: Article
Published: Taylor & Francis Ltd Mar2013
Subjects:
Cosmopolitanism
Modernity
Language & culture
Social values
Eclecticism
Popular culture
Shanghai (China)
Hong Kong (China)
China
Online Access:View this record in EBSCOhost