SEEING AN IMAGE - BEING-IN-THE-WORLD: THE INTERCONNECTIONS BETWEEN VISUALITY, SPATIALITY, AND AGENCY IN PHILOSOPHICAL HERMENEUTICS.

The article B dedicated to the revelation of heuristic potential of hermeneutic image conception within discussions on contemporary visual culture. H. G. Gadamer has analysed the image as the visual, spatial and social phenomenon expanding and thereby transforming the accustomed notion of iconic exp...

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Publicado en:Problems / Problemos Vol. 84; pp. 170 - 184
Autores principales: Inishev, Ilya, Biedash, Yuliya
Formato: Artículo
Publicado: Vilnius University 2013
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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          Inishev, Ilya
          Biedash, Yuliya
        affil: National Research University Higher School of Economics, Department of Cultural Studies M. Trechsviatitelsky per. 8/2, office 403 109028, Moscovv, Russia
      su:
        Hermeneutics
        Interpretation (Philosophy)
        Philosophical anthropology
        Image (Philosophy)
        Social theory
        Gadamer, Hans Georg, 1900-2002
        Structuralism
        Philosophical research
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          Hermeneutics
          Interpretation (Philosophy)
          Philosophical anthropology
          Image (Philosophy)
          Social theory
          Gadamer, Hans Georg, 1900-2002
          Structuralism
          Philosophical research
      keyword:
        agency
        erdvė
        filosofinė hermeneutika
        Gadamer
        image
        paveikslas
        philosophical hermeneutics
        social icons
        socialinės ikonos
        space
        veikumas
        erdvė
        filosofinė hermeneutika
        Gadamer
        paveikslas
        socialinės ikonos
        veikumas
      ab:
        The article B dedicated to the revelation of heuristic potential of hermeneutic image conception within discussions on contemporary visual culture. H. G. Gadamer has analysed the image as the visual, spatial and social phenomenon expanding and thereby transforming the accustomed notion of iconic experience. The image is not primarily an object of research for aesthetics and art criticism, but a social phenomenon which has to be considered in its real and imagined character as well as in its interrelations with the lived world structures. By blurring boundaries between art and life in his image theory Gadamer opens up an array of opportunities for the analysis of iconic practices in all their variety: from science to theater.
        Straipsnis skirtas atskleisti hermeneutinės paveikslo sąvokos euristinįpotencialąšiuolakinėje vizualinėje kultūroje. H. G. Gadameris analizavo paveikslą kaip vizualinį erdvinį ir socialinį reiškinį, išplėsdamas ir sykiu transformuodamas įprastą ikoninio patyrimo sampratą. Paveikslas pirmiausia yra ne estetikos ar meno kritikos tyrinėjimo objektas, o socialinis reiškinys, kuris turi būti vertinamas su jo realiais ir įsivaizduojamais požymiais bei sąryšiais su gyvenamojo pasaulio struktūromis. Savo paveikslo teorijoje suliedamas meno ir gyvenimo ribas, Gadameris atveria aibę galimybių analizuoti pačias įvairiausias vaizdines praktikas - nuo mokslo iki teatro.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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      custom: Copyright of Problems / Problemos is the property of Vilnius University and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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