Unexorcised Conscience: The Byronic Complex of Maldoror.
The article discusses a study suggesting that Isidore Ducasse may not have been successful in breaking the spell of the Byronic elements he introduced into his writing. It points out that English poet George Gordon Byron's influence on modern, occidental culture is undeniable and that it is Ducasse...
| Publicado en: | Intertexts Vol. 17; no. 1/2; pp. 113 - 129 |
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| Formato: | Artículo |
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University of Nebraska Press
Spring/Fall2013
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=92959453&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 92959453 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10920625 1IFH jtl: Intertexts issn: 10920625 maglogo: N pubinfo: dt: Spring/Fall2013 vid: 17 iid: 1/2 pid: 758 pub: University of Nebraska Press artinfo: ui: 92959453 10.1353/itx.2013.0007 ppf: 113 ppct: 16 formats: fmt: @attributes: type: P size: 227KB tig: atl: Unexorcised Conscience: The Byronic Complex of Maldoror. aug: au: Shinabargar, Scott affil: WINTHROP UNIVERSITY su: Lautréamont, comte de, 1846-1870 Writing Byron, George Gordon Byron, Baron, 1788-1824 Readership English poetry Poets sug: subj: Lautréamont, comte de, 1846-1870 Writing Byron, George Gordon Byron, Baron, 1788-1824 Readership English poetry Poets ab: The article discusses a study suggesting that Isidore Ducasse may not have been successful in breaking the spell of the Byronic elements he introduced into his writing. It points out that English poet George Gordon Byron's influence on modern, occidental culture is undeniable and that it is Ducasse who was able to embody the ambiguous extremes of Byron's phenomena in modern readership. It suggests that Byron's presence in Ducasse's work is in the form of a consciously manipulated archi-texte. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Intertexts is the property of University of Nebraska Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Intertexts holder: University of Nebraska Press dt: @attributes: year: 2013 holdings: @attributes: islocal: N |
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