COMPUTER-GENERATED MUSIC, AUTHORSHIP, AND WORK IDENTITY.
In a paper entitled "Computer Composition and Works of Music: Variation on a Th eme of Ingarden" (1988), Peter Simons explores some ontological problems that ensue from the use of certain forms of composition software, where the final outcome (the score) is the product of random processes within the...
| Publicado en: | Grazer Philosophische Studien Vol. 91; no. 1; pp. 107 - 131 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Brill Academic Publishers
2015
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=112202764&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 112202764 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01659227 NFG jtl: Grazer Philosophische Studien issn: 01659227 maglogo: N pubinfo: dt: 2015 vid: 91 iid: 1 pid: 639 pub: Brill Academic Publishers artinfo: ui: 112202764 10.1163/9789004302273_006 ppf: 107 ppct: 24 formats: fmt: @attributes: type: P size: 1.1MB tig: atl: COMPUTER-GENERATED MUSIC, AUTHORSHIP, AND WORK IDENTITY. aug: au: REICHER, Maria Elisabeth affil: University of Aachen su: Music Authorship Ontology Computer software Simons, Peter sug: subj: Music Authorship Ontology Computer software Simons, Peter ab: In a paper entitled "Computer Composition and Works of Music: Variation on a Th eme of Ingarden" (1988), Peter Simons explores some ontological problems that ensue from the use of certain forms of composition software, where the final outcome (the score) is the product of random processes within the computer. Such a method of composition raises, among others, the following questions: What kind of work (if any) has been created? Is it a work of music in the first place? Who is the composer/author? Is it the software programmer, the user, the one who selects a particular score for public performance, the computer? What is the relationship of distinct products of the same programme? Are they instances of the same work? In this paper, I shall re-examine these questions. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Grazer Philosophische Studien is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Grazer Philosophische Studien holder: Brill Academic Publishers dt: @attributes: year: 2015 holdings: @attributes: islocal: N |
|---|