COMPUTER-GENERATED MUSIC, AUTHORSHIP, AND WORK IDENTITY.
In a paper entitled "Computer Composition and Works of Music: Variation on a Th eme of Ingarden" (1988), Peter Simons explores some ontological problems that ensue from the use of certain forms of composition software, where the final outcome (the score) is the product of random processes within the...
| Published in: | Grazer Philosophische Studien Vol. 91; no. 1; pp. 107 - 131 |
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| Format: | Article |
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Brill Academic Publishers
2015
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| Online Access: | View this record in EBSCOhost |