COMPUTER-GENERATED MUSIC, AUTHORSHIP, AND WORK IDENTITY.
In a paper entitled "Computer Composition and Works of Music: Variation on a Th eme of Ingarden" (1988), Peter Simons explores some ontological problems that ensue from the use of certain forms of composition software, where the final outcome (the score) is the product of random processes within the...
| Publicado en: | Grazer Philosophische Studien Vol. 91; no. 1; pp. 107 - 131 |
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| Formato: | Artículo |
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Brill Academic Publishers
2015
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| Acceso en línea: | Ver este registro en EBSCOhost |