Antihumanist narratives: Greed and Source Code.
The article explores specific, rare, antihumanist narrative possibilities in Hollywood cinema signified by two films Erich von Stroheim's "Greed" and Duncan Jones's "Source Code." Topics discussed include capacity for a political aesthetics predicated on antihumanist representation, intellectual, te...
| Publicado en: | Screen Vol. 58; no. 1; pp. 1 - 18 |
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| Autores principales: | , |
| Formato: | Artículo |
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Oxford University Press / USA
Spring2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The article explores specific, rare, antihumanist narrative possibilities in Hollywood cinema signified by two films Erich von Stroheim's "Greed" and Duncan Jones's "Source Code." Topics discussed include capacity for a political aesthetics predicated on antihumanist representation, intellectual, technological and cultural conditions of possibility for the salience of such representational interventions and naturalism in the motion pictures. |
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