Antihumanist narratives: Greed and Source Code.

The article explores specific, rare, antihumanist narrative possibilities in Hollywood cinema signified by two films Erich von Stroheim's "Greed" and Duncan Jones's "Source Code." Topics discussed include capacity for a political aesthetics predicated on antihumanist representation, intellectual, te...

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Detalles Bibliográficos
Publicado en:Screen Vol. 58; no. 1; pp. 1 - 18
Autores principales: BISHOP, RYAN, CUBITT, SEAN
Formato: Artículo
Publicado: Oxford University Press / USA Spring2017
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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          BISHOP, RYAN
          CUBITT, SEAN
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        Hollywood (Los Angeles, Calif.) in motion pictures
        Von Stroheim, Erich, 1885-1957
        Greed (Film : 1924)
        Jones, Duncan, 1971-
        Source Code (Film)
        Naturalism
        Motion pictures
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          Hollywood (Los Angeles, Calif.) in motion pictures
          Von Stroheim, Erich, 1885-1957
          Greed (Film : 1924)
          Jones, Duncan, 1971-
          Source Code (Film)
          Naturalism
          Motion pictures
      ab: The article explores specific, rare, antihumanist narrative possibilities in Hollywood cinema signified by two films Erich von Stroheim's "Greed" and Duncan Jones's "Source Code." Topics discussed include capacity for a political aesthetics predicated on antihumanist representation, intellectual, technological and cultural conditions of possibility for the salience of such representational interventions and naturalism in the motion pictures.
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