Antihumanist narratives: Greed and Source Code.

The article explores specific, rare, antihumanist narrative possibilities in Hollywood cinema signified by two films Erich von Stroheim's "Greed" and Duncan Jones's "Source Code." Topics discussed include capacity for a political aesthetics predicated on antihumanist representation, intellectual, te...

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Publicado en:	Screen Vol. 58; no. 1; pp. 1 - 18
Autores principales:	BISHOP, RYAN, CUBITT, SEAN
Formato:	Artículo
Publicado:	Oxford University Press / USA Spring2017
Materias:	Hollywood (Los Angeles, Calif.) in motion pictures Von Stroheim, Erich, 1885-1957 Greed (Film : 1924) Jones, Duncan, 1971- Source Code (Film) Naturalism Motion pictures
Acceso en línea:	Ver este registro en EBSCOhost