PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS' DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION.
This article will examine the representation of religion in Anna Seghers' radio play Der Prozess der Jeanne d'Arc zu Rouen 1431 (1937) and Bertolt Brecht's subsequent adaptation of this text for the stage (1952). While religiosity is central to the identity of the medieval heroine, Seghers chooses t...
| Published in: | German Life & Letters Vol. 76; no. 3; pp. 392 - 410 |
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| Format: | Article |
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Wiley-Blackwell
Jul2023
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| Online Access: | View this record in EBSCOhost |