PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS' DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION.

This article will examine the representation of religion in Anna Seghers' radio play Der Prozess der Jeanne d'Arc zu Rouen 1431 (1937) and Bertolt Brecht's subsequent adaptation of this text for the stage (1952). While religiosity is central to the identity of the medieval heroine, Seghers chooses t...

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Bibliographic Details
Published in:German Life & Letters Vol. 76; no. 3; pp. 392 - 410
Main Author: Böcking, Cordula
Format: Article
Published: Wiley-Blackwell Jul2023
Subjects:
Online Access:View this record in EBSCOhost