PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS' DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION.

This article will examine the representation of religion in Anna Seghers' radio play Der Prozess der Jeanne d'Arc zu Rouen 1431 (1937) and Bertolt Brecht's subsequent adaptation of this text for the stage (1952). While religiosity is central to the identity of the medieval heroine, Seghers chooses t...

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Publicado en:	German Life & Letters Vol. 76; no. 3; pp. 392 - 410
Autor principal:	Böcking, Cordula
Formato:	Artículo
Publicado:	Wiley-Blackwell Jul2023
Materias:	Seghers, Anna, 1900-1983 Brecht, Bertolt, 1898-1956 Religiousness Social change Social history
Acceso en línea:	Ver este registro en EBSCOhost