Neo-Renaissance Drama in Nineteenth-Century Britain: Notes for a Backdrop to Fernando Pessoa's Duke of Parma.
The article examines the classification of Fernando Pessoa's unfinished play, The Duke of Parma, as a neo-Shakespearean work, highlighting its connections to the broader context of neo-Renaissance and neo-Elizabethan drama in nineteenth-century Britain. It discusses how this dramatic mode, inspired...
| Publicado en: | Luso-Brazilian Review Vol. 61; no. 2; pp. 13 - 27 |
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| Formato: | Artículo |
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University of Wisconsin Press
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |