Neo-Renaissance Drama in Nineteenth-Century Britain: Notes for a Backdrop to Fernando Pessoa's Duke of Parma.
The article examines the classification of Fernando Pessoa's unfinished play, The Duke of Parma, as a neo-Shakespearean work, highlighting its connections to the broader context of neo-Renaissance and neo-Elizabethan drama in nineteenth-century Britain. It discusses how this dramatic mode, inspired...
| Publicado en: | Luso-Brazilian Review Vol. 61; no. 2; pp. 13 - 27 |
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| Formato: | Artículo |
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University of Wisconsin Press
2024
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=185071846&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 185071846 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00247413 2K4 jtl: Luso-Brazilian Review issn: 00247413 maglogo: N pubinfo: dt: 2024 vid: 61 iid: 2 pid: 249 pub: University of Wisconsin Press artinfo: ui: 185071846 ppf: 13 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 662KB tig: atl: Neo-Renaissance Drama in Nineteenth-Century Britain: Notes for a Backdrop to Fernando Pessoa's Duke of Parma. aug: au: Saglia, Diego su: Tragedy (Drama) Cultural history Historical drama Early modern English drama Reign of Elizabeth I, England, 1558-1603 Imagination Anthologies Melodrama sug: subj: Tragedy (Drama) Cultural history Historical drama Early modern English drama Reign of Elizabeth I, England, 1558-1603 Imagination Anthologies Melodrama ab: The article examines the classification of Fernando Pessoa's unfinished play, The Duke of Parma, as a neo-Shakespearean work, highlighting its connections to the broader context of neo-Renaissance and neo-Elizabethan drama in nineteenth-century Britain. It discusses how this dramatic mode, inspired by earlier English theater, sought to address contemporary issues while drawing on the prestige of Elizabethan traditions. The article also notes the significant transformations in Shakespeare's cultural status during the nineteenth century, which influenced playwrights and audiences, leading to a resurgence of interest in early modern drama. Ultimately, it argues that Pessoa's work is part of a century-long phenomenon that reflects ongoing dialogues within British drama and theater, challenging the notion that it is merely an isolated attempt at revival. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Luso-Brazilian Review is the property of University of Wisconsin Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Luso-Brazilian Review holder: University of Wisconsin Press dt: @attributes: year: 2024 holdings: @attributes: islocal: N |
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