Neo-Renaissance Drama in Nineteenth-Century Britain: Notes for a Backdrop to Fernando Pessoa's Duke of Parma.

The article examines the classification of Fernando Pessoa's unfinished play, The Duke of Parma, as a neo-Shakespearean work, highlighting its connections to the broader context of neo-Renaissance and neo-Elizabethan drama in nineteenth-century Britain. It discusses how this dramatic mode, inspired...

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Bibliographic Details

Published in:	Luso-Brazilian Review Vol. 61; no. 2; pp. 13 - 27
Main Author:	Saglia, Diego
Format:	Article
Published:	University of Wisconsin Press 2024
Subjects:	Tragedy (Drama) Cultural history Historical drama Early modern English drama Reign of Elizabeth I, England, 1558-1603 Imagination Anthologies Melodrama
Online Access:	View this record in EBSCOhost