The Flash and Flesh of the Spirit.

This article analyzes Senga Nengudi's performance Masked Taping (ca. 1978/79). Adorning her body in pieces of white tape in a dark room, Nengudi moved rapidly before a camera to explore "elements of [her] African heritage of mask making." In so doing, white tape transformed her body into a literal f...

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Detalles Bibliográficos
Publicado en:Liquid Blackness: Journal of Aesthetics & Black Studies Vol. 10; no. 1; pp. 54 - 72
Autor principal: Ames, Amelia
Formato: Artículo
Publicado: Duke University Press Apr2026
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Acceso en línea:Ver este registro en EBSCOhost