The Flash and Flesh of the Spirit.
This article analyzes Senga Nengudi's performance Masked Taping (ca. 1978/79). Adorning her body in pieces of white tape in a dark room, Nengudi moved rapidly before a camera to explore "elements of [her] African heritage of mask making." In so doing, white tape transformed her body into a literal f...
| Publicado en: | Liquid Blackness: Journal of Aesthetics & Black Studies Vol. 10; no. 1; pp. 54 - 72 |
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| Formato: | Artículo |
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Duke University Press
Apr2026
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| Acceso en línea: | Ver este registro en EBSCOhost |