Digital Frames and Visible Grain: Spatial and Material Reintegration in Irréversible.

The article examines the spatial and material reintegration in the thriller film "Irréversible," by Gasper Noé. The authors argue that the thriller film employs digital technologies in order to deconstruct, as well as digital visual effects in order to overthrow the expectations of its viewers about...

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Bibliographic Details

Published in:	Film Criticism Vol. 32; no. 1; pp. 95 - 110
Main Authors:	De Los Rios, Riccardo, Davis, Robert
Format:	Article
Published:	Film Criticism Fall2007
Subjects:	Special effects (Motion pictures) Digital cinematography Irreversible (Film) Noé, Gaspar, 1963- Filmmaking Thriller films
Online Access:	View this record in EBSCOhost