Digital Frames and Visible Grain: Spatial and Material Reintegration in Irréversible.
The article examines the spatial and material reintegration in the thriller film "Irréversible," by Gasper Noé. The authors argue that the thriller film employs digital technologies in order to deconstruct, as well as digital visual effects in order to overthrow the expectations of its viewers about...
| Publicado en: | Film Criticism Vol. 32; no. 1; pp. 95 - 110 |
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| Autores principales: | , |
| Formato: | Artículo |
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Film Criticism
Fall2007
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| Acceso en línea: | Ver este registro en EBSCOhost |