Digital Frames and Visible Grain: Spatial and Material Reintegration in Irréversible.
The article examines the spatial and material reintegration in the thriller film "Irréversible," by Gasper Noé. The authors argue that the thriller film employs digital technologies in order to deconstruct, as well as digital visual effects in order to overthrow the expectations of its viewers about...
| Publicado en: | Film Criticism Vol. 32; no. 1; pp. 95 - 110 |
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| Autores principales: | , |
| Formato: | Artículo |
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Film Criticism
Fall2007
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=26963535&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 26963535 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01635069 53B jtl: Film Criticism issn: 01635069 maglogo: N pubinfo: dt: Fall2007 vid: 32 iid: 1 pid: 8220 pub: Film Criticism artinfo: ui: 26963535 ppf: 95 ppct: 15 formats: fmt: @attributes: type: P size: 3.1MB tig: atl: Digital Frames and Visible Grain: Spatial and Material Reintegration in Irréversible. aug: au: De Los Rios, Riccardo Davis, Robert affil: Assistant professor, Department of Radio-TV-Film, California State University, Fullerton Professor, Department of Radio-TV-Film, California State University, Fullerton su: Special effects (Motion pictures) Digital cinematography Irreversible (Film) Noé, Gaspar, 1963- Filmmaking Thriller films sug: subj: Special effects (Motion pictures) Digital cinematography Irreversible (Film) Noé, Gaspar, 1963- Filmmaking Thriller films ab: The article examines the spatial and material reintegration in the thriller film "Irréversible," by Gasper Noé. The authors argue that the thriller film employs digital technologies in order to deconstruct, as well as digital visual effects in order to overthrow the expectations of its viewers about time and space. It is believed that this use of digital technologies enables the film to decline to involve in delusions of moral certainty. It is concluded that enhancement technologies were used in the film in order to explore changing identity. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Film Criticism is the property of Film Criticism and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Film Criticism holder: Film Criticism dt: @attributes: year: 2007 holdings: @attributes: islocal: N |
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