CHAPTER VII: MEMORY AS ONTOLOGICAL DISRUPTION: HIROSHIMA MON AMOUR AS A POSTMODERN WORK.

Chapter 7 of the book "In Language and in Love: Marguerite Duras: The Unspeakable" is presented. The chapter presents an analysis of the screenplay "Hiroshima mon amour," written by Marguerite Duras. The authors view the screenplay as an open-ended work of infinite regression and referral. They exam...

Full description

Bibliographic Details
Published in:	In Language & In Love: Marguerite Duras - The Unspeakable pp. 119 - 139
Main Authors:	Gronhovd, Anne-Marie, VanderWolk, William C.
Format:	Book Chapter
Published:	Digitalia Publishing Corp. 1992
Subjects:	Screenplays Hiroshima mon amour (Film) Duras, Marguerite, 1914-1996 Film scriptwriting Criticism
Online Access:	View this record in EBSCOhost

Description
Summary:	Chapter 7 of the book "In Language and in Love: Marguerite Duras: The Unspeakable" is presented. The chapter presents an analysis of the screenplay "Hiroshima mon amour," written by Marguerite Duras. The authors view the screenplay as an open-ended work of infinite regression and referral. They examine how Duras' screenplay eludes epistemological inquiry and logical (re)construction through fragmentation, indeterminacy, and subversion, among others.