SPATIAL POLITICS: THE (NON)DESTINATIONS OF AUGMENTED REALITY ART (PART II).
The author examines the (non)destinations of augmented reality (AR) art. She notes that effectuating affective/sensorial/perceptual/cognitive horizon shifts to problematize the instantaneity of connectedness is used to create an AR artwork deploying communication, connectedness and community as an u...
| Publicado en: | Afterimage Vol. 38; no. 3; pp. 16 - 21 |
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| Autor principal: | |
| Formato: | Artículo |
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University of California Press
Nov/Dec2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The author examines the (non)destinations of augmented reality (AR) art. She notes that effectuating affective/sensorial/perceptual/cognitive horizon shifts to problematize the instantaneity of connectedness is used to create an AR artwork deploying communication, connectedness and community as an undertaking. She considers the exploration of the probing strategy of (non)destination in Seiko Mikami's interactive art "Desire of Codes." The role of the insertion of time within the spatial practice of AR in the innovativeness of the artwork is cited. |
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