SPATIAL POLITICS: THE (NON)DESTINATIONS OF AUGMENTED REALITY ART (PART II).
The author examines the (non)destinations of augmented reality (AR) art. She notes that effectuating affective/sensorial/perceptual/cognitive horizon shifts to problematize the instantaneity of connectedness is used to create an AR artwork deploying communication, connectedness and community as an u...
| Publicado en: | Afterimage Vol. 38; no. 3; pp. 16 - 21 |
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| Formato: | Artículo |
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University of California Press
Nov/Dec2010
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=55717617&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 55717617 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007472 ATF jtl: Afterimage issn: 03007472 maglogo: N pubinfo: dt: Nov/Dec2010 vid: 38 iid: 3 pid: 414 pub: University of California Press artinfo: ui: 55717617 10.1525/aft.2010.38.3.16 ppf: 16 ppct: 5 formats: fmt: @attributes: type: T tig: atl: SPATIAL POLITICS: THE (NON)DESTINATIONS OF AUGMENTED REALITY ART (PART II). aug: au: ROSS, CHRISTINE affil: Professor and James McGill Chair in Contemporary Art History, Department of Art History and Communication Studies, McGill University, Montréal su: Art Augmented reality Sensory perception Mikami, Seiko Spatial ability sug: subj: Art Augmented reality Sensory perception Mikami, Seiko Spatial ability ab: The author examines the (non)destinations of augmented reality (AR) art. She notes that effectuating affective/sensorial/perceptual/cognitive horizon shifts to problematize the instantaneity of connectedness is used to create an AR artwork deploying communication, connectedness and community as an undertaking. She considers the exploration of the probing strategy of (non)destination in Seiko Mikami's interactive art "Desire of Codes." The role of the insertion of time within the spatial practice of AR in the innovativeness of the artwork is cited. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Afterimage is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Afterimage holder: University of California Press dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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