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SPATIAL POLITICS: THE (NON)DESTINATIONS OF AUGMENTED REALITY ART (PART II).

The author examines the (non)destinations of augmented reality (AR) art. She notes that effectuating affective/sensorial/perceptual/cognitive horizon shifts to problematize the instantaneity of connectedness is used to create an AR artwork deploying communication, connectedness and community as an u...

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Published in:Afterimage Vol. 38; no. 3; pp. 16 - 21
Main Author: ROSS, CHRISTINE
Format: Article
Published: University of California Press Nov/Dec2010
Subjects:
Art
Augmented reality
Sensory perception
Mikami, Seiko
Spatial ability
Online Access:View this record in EBSCOhost
Summary:The author examines the (non)destinations of augmented reality (AR) art. She notes that effectuating affective/sensorial/perceptual/cognitive horizon shifts to problematize the instantaneity of connectedness is used to create an AR artwork deploying communication, connectedness and community as an undertaking. She considers the exploration of the probing strategy of (non)destination in Seiko Mikami's interactive art "Desire of Codes." The role of the insertion of time within the spatial practice of AR in the innovativeness of the artwork is cited.